Ink Review: Kuretake Ink-Cafe Meiji no Iro Araishu and Shikon

Ink Review: Kuretake Ink-Cafe Meiji no Iro Araishu and Shikon

What? Another new ink line? Several new ink manufacturers seem to have appeared recently, although, like today’s example, most have been in business for many years. Kuretake isn’t new to the pen world or to ink, but their Ink-cafe line is new to the market.

I chose to review two inks in the Ink-cafe line – #536 Shikon is the first. This is a deep blue-purple ink, very saturated, and it sheens a bright gold on most paper types. As you can see in the photo above, I had a bit of trouble with the ink rubbing off the swatch and onto the rest of the card. This wasn’t actual smearing, but it is something that can happen with heavily saturated inks. I did not have the same issue writing on the paper samples.

Only a touch of the sheen shows up with Kuretake Ink-cafe #536 Shikon on Midori MD paper:

The gold sheen shows a bit of green with Kuretake Ink-cafe #536 Shikon on Tomoe River 52gsm (TR7) paper:

The sheen is fairly metallic with Kuretake Ink-cafe #536 Shikon on Cosmo Air Light 83gsm paper:

The second ink I chose from the Ink-cafe line is a bright red #532 Araishu. This is a vivid red with slight orange undertones – not quite as bright as Monteverde Strawberry Shortcake.

Kuretake Ink-cafe #532 Araishu on Midori MD paper:

I was surprised at how much of the orange undertones showed up with Kuretake Ink-cafe #532 Araishu on Tomoe River 52gsm (TR7) paper:

A faint silver sheen can be sheen with Kuretake Ink-cafe #532 Araishu on Cosmo Air Light 83gsm paper:

 

I was able to pick up a sample of each of these inks from St. Louis Art Supply – a store that is new to me! The samples are quite small – only 1.5mL – but cost on $2.50 each. Dip pen nibs, Kakimori nibs, and glass nibs (most) all fit into the tiny sample vials, but I don’t know of many fountain pens that would be able to draw from them.

The ink is priced at $17.95 for a 20mL bottle – $0.90 per mL. This may be a bit steep for a new ink line, but I am interested to try the remaining colors. I do love how bright Araishu is without blinding me.

DISCLAIMER: The items included in this review were purchased by me. Please see the About page for more details.

 

Link Love: Lamy-Not and Peli-Kan’t

Link Love: Lamy-Not and Peli-Kan’t

I saw the new Lamy Plus Colored Pencils this week and thought our colored pencil expert, Tina, might want to review them. When I asked her, she confessed that she already reviewed them and said “Lamy should stick to pens”. So, if you are wondering why we are not publishing a review of the Lamy Plus Colored Pencils, this is why.

Me… being salty this week.

In other news, Pelikan launched their email campaign this past week for folks to register for the Pelikan Hubs for this year. Rather than the method they’ve employed for the past couple of years, they instated a convoluted system of email “save the dates” and then a registration. I would have posted about this sooner but I didn’t hear about this until after Link Love was published last year and they closed the email “save that date” in the interim. Yeah, less than 7 days to sign up and then confirm! And they also included a “salutation” field that was required and the only options were “Mr”, “Mrs” or “diver” — and I have no idea what diver means. Do you? Anyway, it seemed like an odd field to require folks to fill out, especially nowadays where pronouns are fluid. Anyway, all this is to say, if you wanted to attend the Pelikan Hub for 2023 I hope you were able to sign up and, if not, I’m sorry. I am definitely not a fan of the new system that Pelikan has put into place to sign up.

It was not my intention to sound so salty this week but some weeks I guess I just need to vent my disappointment. Do better, pen companies!

Pens:

Ink:

Pencils:

Notebooks & Paper:

Art & Creativity:

Other Interesting Things:


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Paper Review – Wearingeul Ink Color Chart Cards,

A few weeks ago I gave a quick review of the Wearingeul Swatch Notebook and Sheets. This week I wanted to take a look at the Horizontal Ink Color Chart Cards ($7.50 per 100 cards) and the Vertical Ink Color Chart Cards.

I figured the best way to see how the Wearingeul products performed was to test them on a series of inks and compare to my Col-o-ring/Col-o-dex cards. I tried both kinds of the Wearingeul cards – the horizontal Ink Color Chart Cards (shown on the right) and the Vertical cards (shown on the left).

My observations:

  • I had a bit of trouble deciding how to use the Horizontal Ink Color Chart Cards. Clearly the ink is meant to cover the bottle itself, but I like having both a light and dark representation of the ink and the bottle was a bit too small for that. If I used the blank part of the card for my ink swatch, then there wasn’t a lot of room to write. These cards also come in Smiling Cat, with an almost Cheshire like cat grinning in place of an ink bottle.

  • The vertical cards were slightly different in that they had border section that didn’t accept ink around a rectangle that did. You can see on the KWZ Raspberry swatch where the ink ran off the edge of the paper and into that border which almost feels waxy. In general I preferred the format of these.

  • Both cards accepted the ink well, with no bleeding or show through. The cards lay a little less flat after applying the ink to them, but they didn’t distort. My only real complaint is that none of the gorgeous sheen came through on the Robert Oster Fire & Ice card. More about that below.

Now let’s compare the colors I swatched on both Wearingeul and Col-o-ring/Col-o-Dex:

KWZ Raspberry:

Pilot Iroshizuku Tsukushi:

Mont Blanc Irish Green:

Robert Oster Fire & Ice:

In general, I saw a bit less variation in how the inks appeared on the Wearingeul cards, meaning I saw slightly more shading on the Col-o-ring products. The paper between the two is quite different. Wearingeul uses 200 gsm paper which is quite smooth, in addition to that different finish on the two vertical cards. Col-o-ring paper is toothier, with more texture. But the place where I have to say the Wearingeul cards fell down completely was in the sheen. In these two photos you can see the red sheen on the Col-o-dex card. While the ink shows shading on the Wearingeul card there’s just no sheen.

Wearingeul cards are less expensive than Col-o-ring products, which can add up over time. If budget is your key concern then they may be a good option for you. But in my limited sampling, you also get what you pay for, which is a bit less depth to your ink swatches.


DISCLAIMER: Some of the items included in this review were provided to us free of charge for the purpose of review. The Wearingeul projects were purchased with our own funds. Please see the About page for more details.

Pen Review: White Markers from Faber-Castell & Pentel

Pen Review: White Markers from Faber-Castell & Pentel

I am always looking for the best possible opaque white markers and pens for adding highlights, details or accents to my lettering and artwork. So when I saw the Faber-Castell PITT Artist Pen in White ($15.50 for the set of 4) and the Pentel Milky Brush Pen in White ($6.50) I knew I would have to give them a try.

The Faber-Castell PITT Set includes four different sizes of markers: B (Brush), C (Chisel/Calligraphy), 1.5 (1.5 mm Bullet), and 2.5 (2.5 mm Bullet). I was hoping that the largest size would be useful for posters but its not quite that chonky. Overall, the Faber-Castell PITT set has a nice range of sizes if you’re not sure what will work best for your project.

The photo above shows the tip sizes. From left to right: chisel/calligraphy, brush, 1.5 mm and 2.5 mm. The 2.5 mm barrel is much larger than the other three pens so its a big pen for me to hold in my tiny, little hands.

The other pen I got was the Pentel Milky Brush pen in white. There is a push button on the end that can be pushed to force more ink into the brush tip.

Oh, that brush tip! Its a nylon bristle brush tip not a molded foam tip like the brush in the Faber-Castell PITT set. I love the brushes that have real bristles because the point is often so much finer. The bristles are soft and flex easily for a great range of stroke widths. Pumping the end will add more ink as needed.

I tested these pens on kraft and grey paper stock. They all performed much better on the kraft stock. The grey paper was a bit too light to show them in their best light (or should I say, best white?)

On the Kraft stock, it was easy to get good results with all the markers though I do find that the Pentel Milky Brush was more opaque overall. The PITT markers worked well and could be applied with multiple layers for a more opaque coverage/

Despite the grey paper being a bit light, it does quickly show that the Pentel Milky Brush is much more opaque with one pass of color compared to the PITT white markers.

Further testing is needed to determine how well these markers will work with mixed media drawings when combined with colored pencils, other pens and markers and paint. The PITT pens are India ink so they are lightfast, permanent, and archival. That is definitely an advantage if you are using these with other tools. The Pentel Milky Brush is listed as being water-resistant but there are no additional specifications though with white inks, they are likely to be lightfast.

Depending on your comfort with a real brush pen, I would recommend giving the Pentel Milky Brush a try. If you prefer a bullet tip or chisel tip or need the archival or guaranteed permanent quality, then I think the PITT Brush Set is a good option though I prefer the Pentel Milky Brush overall.


DISCLAIMER: The items included in this review were provided free of charge by JetPens for the purpose of review. Please see the About page for more details.

Review: Canary Modoruba Cardboard Box Cutter

Review by Tina Koyama

Many cardboard boxes and cartons appear at our door. I tend to use a basic box cutter to slice them open – but gingerly. Although I haven’t cut myself yet, I have almost cut myself a few times – maybe in my eagerness to get the box open. That’s why one of the cutting instruments that caught my eye in JetPens’ video, Why You Need Overengineered Scissors and Cutters, was the Canary Modoruba Cardboard Box Cutter ($14). It seemed like a safer option that would still get the job done. 

First off, apologies that most of my photos do not show its color well – it’s a bright lime green, not yellowish avocado. The color alone was a bonus! It’s easy enough to use: Slide the corrugated mechanism to extract the blade.

What makes this box cutter safer is that the blade is serrated on both sides like a saw. You could probably still injure yourself if you tried hard, but it would likely not cut skin in a typical box cutter accident. I would even allow a child to use it for its intended purpose.

Since it felt dull to the touch, I was skeptical that it would cut a box open easily, but in fact, it does – very nicely (and safely), in fact.

To retract the blade, press the button on the opposite side amusingly labeled “off.” The blade satisfyingly shoots back in rather than sliding. 

The package instructions are all in Japanese, but the illustrations are mostly self-explanatory. I was puzzled, however, by the two buttons on the sides labeled “push.” I thought at first that these were for blade extraction, but nothing happened when I pushed. I finally went to JetPens for the English directions (thank you, JetPens, for always including English instructions in product descriptions!) and learned that these two buttons are for disassembly. They had stumped me because simply pushing doesn’t do anything – I had to really struggle and fight with the whole thing to get it to come apart. It’s good to know that replacement blades are available for the Canary box cutter, but I hope I won’t have to replace them often. (By the way, the image of the “push” button is the closest to the actual color.)

Overall, I like it – it gets the job done safely and efficiently. I keep it in the kitchen where all those boxes get opened.



Tina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.

#21PenQuestions – Jesi’s Answers

#21PenQuestions – Jesi’s Answers

I’m not one to feel pressured into following the crowd. Usually. Today is different. Both Ana and Laura have now taken turns with the list of 21 questions designed to dig a bit into pen, ink, and stationery preferences – now it’s my turn.

1: What is the pen they’ll have to pry out of your cold dead hands? 

This one is easy for me – my Lamy 2000 with a fine nib. I purchased this fabulous pen 8-ish years ago and it has been constantly inked ever since. I have used it in classes for note-taking, I finished (half) of NaNoWriMo using only my Lamy 2K, and if I ever lose all of my pens in some unthinkable incident, it will be my first purchase.

2: What’s your guilty pleasure pen?

First of all, I never feel guilty about pens. Or ink. But I would say my Nakaya Aka Decapod Twist would be on the top of my list for irrational purchases.

3: What’s the pen you wish existed?

I wish there was a pen that I could load up with four different inks in retractable nibs. Like the Pilot pens with black, blue, red, and green ink in a single pen body. Or maybe a clear Lamy 2K.

4: What pen would you give to a new enthusiast?

This depends on how enthusiastic the person seems to be. I always want to provide an experience to the individual that will encourage them to keep investigating the world of pens and ink. For someone who is just getting into the hobby, I would recommend a Platinum Preppy – great colors, easy to use with cartridges, and it can take a converter when the person is ready to graduate into bottled ink.

But the TWSBI Eco is my favorite suggestion for a pen newbie who wants the visual excitement of using a fountain pen. It is inexpensive, easy to clean, comes in several color and nib choices, and the clear body lets you see the ink – something that provides no end of amusement for me in my own TWSBI Ecos.

5: What pen do you want to get along with but it just never clicked?

The Pilot Justus. It supposedly has a nib where you can adjust the softness by turning a dial which changes the tension in a nib clip, but I’ve never been able to tell a difference in any of the settings. It sounds like it would be a lot of fun if it worked the way I first imagined it.

6: What pen ink do you only keep only because it’s pretty?

I love Krishna inks and the idea of Krishna inks. I’ve just never been able to get into using them. Jungle Volcano is a fabulous ink on the right paper, but I have yet to actually use it in writing.

7: What pen (or stationery product) did you buy because everyone else did?

The Platinum 3776 Kumpoo – I wanted one and missed the initial sale but found a second-hand pen later. It was beautiful and had a fun soft medium nib, but once I used it, I started wondering why I had wanted it so much. This pretty pen only stayed with me for a few weeks and now has a loving home.

8: What pen (or stationery product) is over your head or just baffles you?

The J. Herbin glass nib pen. For years I believed it was actually just something to look pretty on a desk because I could not get it to do anything but put a single big blob of ink on a page. I was fairly certain it was a novelty item that people in the pen world claimed could write. I did eventually figure it out, though.

9: What pen (or stationery product) surprised you?

Wing Sung nibs. I have never ordered a pen from Wing Sung that had a bad nib. Every time I pick up one of these pens it writes immediately, doesn’t skip, and feels fabulous on the paper.

10: What pen doesn’t really work for you but you keep it because it’s a collectible?

The number of Kaweco pens I have is fairly ridiculous. However, seeing them all together or grouped in slightly varying shades of the same color makes me so happy!

11: What is your favorite sparkly pen (or ink)?

I love Diamine Magenta Flash. It is an annoyingly bright deep pink with plenty of sparkle – there is no time or place where this ink is called for unless it is addressing party invitations for a birthday party for an eight-year-old.

12: Which nib do you love – but hate the pen?

None. If I hate the pen and love the nib, I steal the nib to put it in a different pen. Why would I keep using a pen I hate?

13: What pen (or stationery product) gives you the willies?

Bay State Blue ink. I know it’s a beautiful blue. I know it will stay where I put it for a thousand years. But it will also stay everywhere it goes for a thousand years. Don’t do it. Not without wearing gloves, protecting every surface around it, dedicating a pen to that one ink for eternity, and making sure all pets are out of the room any time it is used.

14: What’s your favorite pen for long-form writing?

My Lamy 2K wins again for long-form writing. When taking extensive notes in a class, I keep a bottle of ink with me rather than a second pen. If you look at my Lamy 2K (the one with a fine nib because I purchased a second one with a BB nib) next to a new Lamy 2K, it’s easy to tell which one is mine. I’ve used the pen so much that the slightly rough surface has been polished by my hand.

15: What pen (or stationery product) do you love in theory but not in practice?

The Noodler’s Safety pen. I love the idea of this pen – inspired by a vintage design that should be safe from leaking because it seals completely every time it is closed. But we never were able to become friends. The design of this pen actually dips the nib into the reserve of ink every time it is closed – I love the idea but I never did love the pen itself.

16: What pen (or stationery product) would you never let someone else use?

My Pilot Custom 912 FA with a Spencerian grind – this specialty grind results in an incredibly responsive but very delicate nib.

17: What pen (or stationery product) would you never use for yourself?

Any kind of paper that doesn’t work with fountain pens. There are beautiful notebooks out there that cry out to be used and loved, but if I can’t use my own ink in them, what’s the point? However, I do love to give them as gifts. An empty notebook seems to call out to many people, not just those interested in the pen aspect of the writing experience.

18: What pen (or stationery product) could you NOT bring yourself to buy?

I would love to be able to put something in as an answer to this question. But I’m so bad at restraint. My kids and nieces and friends all get stationery-related gifts for no special reason, though.

19: What’s your favorite vintage pen?

I have an Esterbrook purse pen in turquoise with a 9788 nib that I love in every way. I also recently came across a vintage Sheaffer 55 1/2 pen with such an amazing music nib that I still can’t believe it is in my possession.

20: What is your favorite EDC/pocket pen?

My Schon pocket 6 Ferrero Rocher brass pen. There were only a small number of these pens made – 7 or 8 maybe? Three are owned by ladies who write for this blog – we all purchased them days before the world shut down for Covid. When we compared them at one point, we had all added Franklin-Christoph specialty nibs as well.

21: What’s the pen (or stationery product) that got away?

I’ve typically been able to track down any pen or ink that I originally missed, either through a second-hand sale once the hype died down, getting over the desire for it, or paying too much later on. Except for the Pen Addict Pink Robots Retro 51.

Link Love: Binder Clip Bag

Years ago, I posted about the binder clip bag that appeared and then quickly disappeared from the internet. Today, I have a WHOLE video of how one luxury handbag maker created their version of this stunning, must-have for all stationery fashionistas. Think they would make me a pink one?

Pens:

Ink:

Notebooks & Paper:

Art & Creativity:

Other Interesting Things:

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