Inky Ears: Stationery Podcast Roundup

These days there are so many stationery-themed podcasts we can hardly keep track so we decided to put together a list of all the ones we know about. If I missed you, I apologize – please leave me a note in the comments and I will update the post to add you!

Otherwise grab a cup of your favorite beverage, a project (knitting anyone?) and give these a listen!

(In alphabetical order.)

1857: Join Stuart and TJ, two guys talking about analogue pursuits in a digital world – and a fair amount of nonsense too. Make the Past, the Present in the Future, this is 1857.

 

 

 

The Bent Tines: Hosted by Kat and Matthew and focuses on fountain pens and ephemera, the people in the pen community community, and other topics like food and drink, home ownership, art, and life.

 

 

 

Erasable: Join Andy, Johnny and Tim as they explore their love of pencils and, more recently in the pandemic, their newfound love of pens!

 

 

 

Fountain Pen Companion: Urban, Ana, and Daniel podcast about fountain pens and related stationery items with a European perspective.

 

 

 

The Nib Section: This podcast features rotating hosts in a roundtable discussion podcast about fountain pens, ink and the people who go crazy for them, from Fountain Pens Oceania.

 

 

 

The Pen Addict: Brad & Myke host a long-running podcast that’s your weekly fix for all things stationery. They love pens, pencils and Sailors with an unholy devotion. You’ll find the latest pen industry news here, as well as links to Kickstarters, new releases and more.

 

 

The Pentertainment Podcast: Join PenBoyRoy for all things fountain pens (yammer and more!)

 

 

 

RSVP: Dade, Less and Lenore chat about all things stationery! I love their discussions of journaling, gameplaying and other analog hobbies that make use of the items we love.

 

 

 

Tinterías: A podcast in Spanish about all things fountain pen related! (Un podcast sobre la estilográfica y los materiales de papeler.)

 

 

 

Tokyo Inklings: Join CY and Jacob as they share two Tokyoites’ insider views on the Japanese fountain pen world. Japan has a HUGE stationery market, much of it hard to find for Westerners – get the inside scoop from these two!

 

 

There are also a few folks that host streams that are not quite podcasts. We’ve added those here in case you want to give them a try!

Inkdependence: Mike and his wife Audrey (the Nib Doctor at Franklin Christoph) host a weekly Friday “happy hour” live on YouTube which is my “don’t miss” at the end of the week.

The Pen Addict: Brad from the Pen Addict streams on Twitch several times a week. From unboxings to what’s on his desk on any given day, he’s got more pen content and live chats for you!

Again, if we’ve missed anyone please let us know in the comments below!

9/21/20 Edited to add a few recommendations from our readers!

The Stationery Cafe: Enjoy candid conversations between the co-hosts April and Phyllis, or journaling-related topics with artists and stationery enthusiasts.

 

 

 

Stationery Orbit: Do you love fountain pens, ink, wax seals, and stationery as much as John does?

 

Highlighter Review: JetPens Highlighter Sampler

Highlighter Review: JetPens Highlighter Sampler

Review by Tina Koyama

In a strange moment of synchronicity, several highlighters in my home went dry at the same time, and my stash of spares was nearly empty, too. Instead of stocking up on my usual go-to brands, I thought it would be fun to try some new ones. JetPens offers numerous highlighter sampler sets by color theme, which made it easy to try six in my favorite highlighter color – magenta (6 highlighters/$10).

JetPens Six Highlighters Sampler

Included in the set are two Zebra Mildliner Double-Sided Highlighters (one Mild Magenta, one Mild Fuchsia), one Lilac Pink Stabilo Boss Original Highlighter, one Red Purple Uni Mitsubishi Propus 2 Double-Sided Highlighter, one Purplish Red Zebra Optex 1 EZ Highlighter and one Purple Pilot Spotliter 2 Double-Sided Highlighter. If purchased separately, the total would be $10.55, so the sampler set offers a bit of savings. They all come in at least 10 colors (though it’s hard to beat the Mildliners that come in 25 colors).

A distinguishing characteristic of the Spotliter 2 and the Optex 1 EZ is that they are refillable with convenient cartridges (also available at JetPens). These environmentally friendly options are appealing, though the skeptic in me wonders whether the tips will mush down before the highlighters need be refilled. (My heavy handedness will tell the tail soon enough.)

All but the Stabilo Boss and Optex 1 EZ have both a standard chisel point and a fine point, so it’s like having two highlighters in one. Of course, I have always used a chisel-point marker on both its side and its tip (see my chart below), so it can be used two ways also. Here are closeups of the tips.

 Stabilo Boss

Pilot Spotliter chisel

Pilot Spotliter fine

Zebra Optex

Mitsubishi Propus chisel

Mitsubishi Propus fine

Zebra Mildliner chisel

Zebra Mildliner fine

Below I made lines with each highlighter tip to show the differences in colors and point sizes. Though they are all similar, even the two Zebra Mildliners, the scanned image shows the colors a bit more accurately. Unfortunately, the biggest difference in color doesn’t show well in either image: The Stabilo Boss is closer to a neon hot pink while the others are more like pale magenta. (Strange… whenever I try to photograph or scan neon-colored inks or colored pencils, the fluorescent properties seem to disappear from the images.)

point size with highlighters

point size

Next I made a bunch of scribbles with a Blackwing graphite pencil, Uni Jetstream ballpoint, Uni-ball Signo gel and Pilot Petit fountain pen containing water-soluble ink. To test for transparency and smearing, I drew each highlighter through the scribbles several times. As expected, all highlighters smeared the water-soluble fountain pen ink, but the other pens and pencil showed little smearing. All were sufficiently transparent.

smear, transparency

Finally, I highlighted a line of text in a catalog page with each highlighter to again compare their relative transparency and color. Since I most often use highlighters in books, catalogs and other printed matter, this test is most important to me.

catalog

My favorite? I like the bright ink color of the Stabilo Boss best. Unfortunately, its unwieldy body is the least user-friendly highlighter design I’ve used. It’s awkward to hold, and the tapered cap is difficult to pull off.

Which brings me to the Optex 1 EZ’s “EZ cap,” which I had nearly overlooked: To uncap it, you simply squeeze the four dots above the arrow, and the cap pops off. I love it when small conveniences like this take almost all the effort out of using a simple highlighter! The cap also posts securely, which is always a big deal to me because I’m prone to losing caps that don’t post well. Both of these features make the Optex 1 EZ my favorite, and it’s refillable, to boot. I don’t mind that it doesn’t have a fine point on the other end, but if you prefer one, the double-sided options are equally good performers.

Zebra Optex EZ cap


DISCLAIMER: The items included in this review were provided free of charge by JetPens for the purpose of review. Please see the About page for more details.


tina-koyamaTina Koyama is an urban sketcher in Seattle. Her blog is Fueled by Clouds & Coffee, and you can follow her on Instagram as Miatagrrl.

Ink Review: Jacques Herbin Essential Inks

Ink Review: Jacques Herbin Essential Inks

Back in 2018, J. Herbin released a new line of inks and other stationery items under a Jacques Herbin branding. At the time, the line was exclusive to Le Bon Marche/ Boisnard (Paris), Itoya (Tokyo), and Milligram (Australia). Recently, it was brought to my attention that the inks are now being sold at a variety of additional US and international retailers. I decided the increased accessibility warranted a revisiting of the line.

Back during the original release my parents coincidently also happened to be visiting Paris. When I realized they were a few blocks from Boisnard, I dropped a not-so-subtle hint about my Christmas list and Santa was kind enough to travel over to the shop to pick up several of the inks. To this day, they remain some of my all-time favorite Christmas gifts.

Overall, the line includes ten inks: Vert amazone (green), Gris de houle (grey), Noir abyssal (black), Bleu de Minuit (blue/black), Bleu austral (blue), Violet boreal (purple), Rouge d’Orient (red), Terre d’ombre (brown), Orange soleil (orange), and Ambre de baltique (yellow). Those ten inks are divided across two miniature ink sets (Solaris and Luna), and the one I own (Solaris) includes the green, black, purple, red, and orange. I also received a bottle of the blue/black.

The full-size bottles are 50mL squares that are nearly identical to the J. Herbin 1798 inks, minus the wax seals on the front of the bottles and wax-covered caps. The opening of the bottles are wide enough to easily fill any pen in my collection, and one of my favorite details is the glass embossing on the bottom of each bottle.

My parents had never picked out an ink before choosing these, but they made an excellent choice in picking the full-size bottle with Bleu de minuit. To be fair to the other colors, I’m naturally biased to blue/black. But to be fair to Bleu de minuit, it has some fierce completion in my personal ink collection and still somehow manages to get used on a regular basis nearly two years later. The color is a rich, deep blue that straddles the line between blue and blue/black. Depending on the nib you are using it can produce both shading and sheen. The sheen is right at the level that produces a “halo effect” around each letter in print writing- and while I enjoy super-sheening inks as much as anyone- this type of sheen is some of my favorite in actual practical day-to-day writing.

The Solaris miniature set of inks includes five other essential colors, and overall I really like how this set is packaged and executed. When the new line was released, it was targeting a more premium market and I think that direction shows in nearly every aspect of the “look” of these inks. The price is also premium, but not totally out of range for other “premium” inks we have seen in recent years. At the current price I was able to find at the writing of this post, the price per mL of the miniature set (75mL for $67.20) is similar to the Sailor studio ink line (20mL for $18). Beyond the “premium” branding, the size (15 mL each) and shape of the bottles make them a particularly useful sampler set.

The orange ink is nearly empty, but I was still able to piston-fill a TWSBI earlier this week in preparation for this review. Any bottle that allows for piston-filling even with the last few mL of an ink is a major win in my book.

Over the last couple of years, I’ve found myself reaching for the purple and the orange most often from the set. The orange is yellow-based and very bright even in finer nibs. The purple is an interesting shade- almost dusty, but still maintaining a vivid color and exhibiting significant shading even in writing. FYI: The writing samples below are a decent representation of the colors but the photo does not accurately display the sheen of the bleu de minuit and noir abyssal.

I reach less often for the black and the red, but to no fault of their own. The red is a rich, classic red that leans towards a darker red or maroon. Inking it up this week reminded me what a great color it is. The black is a dark, saturated black and even has some sheen to it which gives it some interesting character on the paper. Both colors are really good, but probably tend to get edged out by similar or competing colors in my collection that have become my fall-backs in those color categories (looking at you Platinum Carbon Black). Out of the entire set, the green is the only ink that I don’t personally prefer. There is nothing “wrong” with the color. It is saturated and behaves well, but is just a little too “classic green” without much character for my personal tastes. (I tend to prefer darker greens with brown undertones.) It also seems to write a little drier than the other colors on the page in my experience this week, but I need to re-ink it in a different nib to re-test this theory.

I’m on vacation this week for the first time in 2020, and before we left for a socially-distanced quiet (rainy) get-away by a lake, I decided to ink-up the entire line in their closest matching TWSBI. Perfect travel companions.

Back in 2018, Santa also surprised me with a J. Herbin glass pen along with my inks, and I noticed that Goldspot is carrying these glass nib pens in a variety of colors alongside the Jacques Herbin inks. I use this glass nib pen on a regular basis on many of my ink swatches to showcase the ink properties in a thinner line.

The miniature ink sets- Solaris and Luna, full-size bottles, and ink cartridges (!), are all available at a variety of retailers including Goldspot. I may have to re-stock my orange soleil and even track down the Luna miniature ink set- for the sake of science of course.


Tools:


DISCLAIMER: The items included in this review were purchased with my own funds or gifted to me under the Christmas tree. Please see the About page for more details.

Link Love: Stamping ALL THE THINGS

Link Love: Stamping ALL THE THINGS

Popsicle stamp

A few quick notes for this week:

  • The Ollie Comics are not about MY Ollie but are still totally worth checking out.
  • This week is overflowing with other people’s reviews of the new Esterbrook JR Pocket Pen. Check out our review here in case you missed it.
  • If any of the students from my DMM1 class are reading my blog, take particular note of the Just Draw with Fineliner Art book review and Tina’s Putting My Hand to Work.
  • When I first heard Brad mention the Roady pen on his podcast I thought he said something completely different and I can’t get that out of my head. (Don’t ask but now I’m sure you’re wondering…)
  • Hobonichi started releasing their 2021 planners. We all want to see the back of 2020 and Hobonichi planners are always so fun. So, enjoy planning for a better 2021.
  • Finally, last week The Desk Shop got some new stamps in. We don’t drink the ink but we like to swatch with it. And we like popsicles and crafty stuff too. I’ve tried some on kraft paper with opaque white ink too like wrapping paper and it looks super cool. It’s giving me ideas for some more new stamps!

Don't Drink the Ink Stamp series

Pens:

Ink:

Pencils:

Notebooks & Paper:

Art & Creativity:

Other Interesting Things:


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Pen Review: JetPens Brush Lettering Pen Sampler

Review by Laura Cameron

I have always loved Ana’s lettering. A few weeks ago, as I browsed JetPens for some new materials to review, I stumbled upon their Brush Lettering Pen Sampler, and decided to give it a whirl ($29 for 6 pens). I knew I needed some instruction so I headed over to Amazon to see what they might have in the way of books. I settled on The Ultimate Guide to Modern Calligraphy and Handlettering for Beginners, and based on the pricepoint ($6.99) and the reviews (4000+ positive) I decided to give it a try.

The Brush Lettering Sampler includes (from left to right):

From past experience playing with pens, I started with the firmer pens before playing with the larger brush pens (like the Tombow). I find that brush pens need a lot of control and I don’t have it yet!

The book had a good introduction to terminology and more information about the craft and then I got right into tracing and then practicing some simple strokes, and letters.

I found that I liked different pens for different letters. As you can see in some of my photos, some of the letters came out well, and others did not! I know that I’m struggling between a light touch and skipping the pen on the page. So I definitely need more practice.

While I don’t have a lot of experience or knowledge, I like how this sampler provides me a way to test out a variety of brush pens to figure out what I’ll be most comfortable with. I plan to keep practicing and share my progress over the next few months.

For now, if you’re looking for a fun way to get started in brush lettering, the combination of the set and book ran me about $40, which I consider fair for what should be hours of fun!

DISCLAIMER: Some of the items included in this review were provided to us free of charge for the purpose of review. Please see the About page for more details.

Ink Overview: Cross Inks

Ink Overview: Cross Inks

Cross Inks are one of the classic “staple inks” that are often recommended. Over the years, the “archival” attributes of the ink have often mistakenly been assumed to also be waterproof. “Archival” simply means that the inks have been formulated to resist fading over time and have a pH level that is neutral and acid-free. This should make the inks safe for vintage and modern pens. Cross inks are available in six standard colors: Black, Blue, Blue-Black, Red, Green and Violet. Each color is available in a 2-ounce bottle ($15) or in cartridges ($7 per pack) to fit Cross pens.

Of the six inks in the line-up, the Violet, Red, Blue and Blue-Black all have some sheen to them on Col-o-ring paper. I think the sheen in the Violet is so strong that it is likely to show-up on most high-quality fountain pen friendly paper, certainly on Tomoe River and such.

Cross Blue Comparison

I’ll start my overview with the Blue. It’s the most similar to other inks, in terms of color. It’s a true blue — a bog stock, vivid blue. Sheaffer, Waterman, Pilot, Lamy… they all have their version and I’m sure there’s more.

I have to wonder if there’s a base powdered pigment of bright blue that all the major pen manufacturers use straight of the pot?

Yep? French Ultramarine Blue straight out of the pot. Thanks, Blick for the image. If you want to try to make your own, this Sennelier Artist Pigment and the Make Ink Book could be just the thing. (Note: As mentioned in the comments below inks are made with dyes not pigments! You can make watercolor with pigments. Sorry. I clearly did not have enough coffee when I wrote this. But you see my point about the color being French Ultramarine?)

Cross Blue Comparison

So, I don’t have much to say about the blue. It’s bright, out-of-the-tube blue with some sheen. It’s archival so it’s not supposed to fade and it’s reasonably priced in a good-sized bottle. But there’s also other options in this category. Do they fade? I don’t know. I’m not a chemist so I can’t guarantee the pH of other inks.

Cross Violet Comparison

The Cross Violet had massive sheen on Col-o-ring paper. The sheen blew me away. Cross Violet is a little more on the red side than Waterman Purple.

Cross Violet Comparison

The photo above puts the two red purples side-by-side (Taccia Murasaki Purple and Cross Violet) and then the two bluer purples side-by-side (Montegrappa Violet and Waterman Purple) then the Sailor Jentle Fuji Musume which has shading and granulations of both reddish purple and bluish purple but no sheen.

Cross Blue Black Comparison

Amazingly, Cross Blue Black is a unique shade of deep blue. Diamine Eclipse and Sailor Shikiori Shimoyo are close but not quite the same hue. There’s a bit more brilliance to the Cross Blue Black plus that lovely sheen. I included the Parker and Sheaffer Blue-Black as some of the other classic inks even though the hues are not similar at all.

Cross Blue Black Comparison

Cross Red Comparison

Okay, these reds are really this bright. Cross Red is really bright. When I started to match it to other reds, it became clear that Cross Red is more fluorescent than I initially thought.

Cross Red Comparison

Cross Red has a good deal of sheen and if you need to edit papers, no one will miss the marks with this red ink. Dang!

Cross Green Comparison

Cross Green is a bright shading “kelly green.” Surprisingly, I didn’t have a ton of comparison colors in my stash. Green is also a difficult color to make archival. I have not tested it to see if it keeps from fading but I will definitely do a test with this ink soon and see how it does.

Cross Green Comparison

Cross Black Comparison

Now… for the Cross Black. Like Cross Blue, this is another ink that, other than the claim of being archival, makes the Cross Black stand out from all the other black inks on the market. And, as I’ve said before, Platinum Carbon Black is still my favorite, go-to black ink because it’s waterproof. I once sacrificed a Lamy Safari by letting Platinum Carbon Black dry in the pen to see if I could clean it out afterwards. It clean out with water six months later, no problem.

Cross Black Comparison

That said, if I want black ink for a vintage pen Sheaffer, Waterman or Cross would all be a good option.

So, if you are looking to stock your ink cabinet or shelf and haven’t tried Cross inks yet, I would recommend Cross Violet or Blue Black first, then the crazy bright Red. If you like green, Cross Green is a vivid option too. The Blue and Black are one of many options.

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Fountain Pen Review: Esterbrook JR Pocket Fountain Pen

Fountain Pen Review: Esterbrook JR Pocket Fountain Pen

Esterbrook, in its latest incarnation, via the watchful eyes of the team at Kenro, has released its latest fountain pen which is the most ambitious and most anticipated pen yet — the JR Pocket Pen. This pen is their first attempt to create a modern redesign of the classic “J” style Esterbrook fountain pen. It’s a project that has been in the works, at least as an idea, from day one, but was something that the team at Kenro did not want to tackle until they were sure they could successfully recreate the look and feel of the original Esterbrook J as closely as possible.

The JR Pocket Pen ($140) is available in three colors (Capri Blue, Carmine Red and Tuxedo Charcoal) and the option for either silver or gold hardware.

Esterbrook JR Pocket Pen packaging

The dangers in undertaking a project like this is that it will never be the same nor should it be. The point of recreating a pen like the J is to make a pen that looks just a classic but might not suffer from being 60+ year old fragile plastic, require fiddly lever-filling or be quite as small as the original since the modern pen user might prefer a larger pen. Of course, there will also be sacrifices required to accomplish goals and things that you and I, as consumers, and Esterbrook, as a company, might have wanted to keep but, for one reason or another, could not be accomplished.

With this caveat, let’s consider the new Esterbrook JR Pocket Pen.

Esterbrook JR Pocket Pen packagin

Like previous Esterbrook products, the JR Pocket Pen ships in the fabric covered, magnet closure box that creates an attractive presentation for the pen. The JR ships with a cartridge and a standard international converter as well as a branded microfiber cleaning cloth. I’ve developed quite a collection of these.

Esterbrook JR Pocket Pen

Both ends of the JR Pocket Pen are flat. The cap end has an embedded metal disc with the Esterbrook X etched into it while the bottom end has a larger metal cap with no markings or decoration.

Esterbrook JR Pocket Pen nib close-up

The nib of the pen is etched with the new Esterbrook X logomark upgrading the look. The nib is stainless steel nib in rhodium or gold plating, depending on pen hardware and nib options are extra fine, fine, medium, broad and stub 1.1. I tested a medium nib.

I know the next question on many pen aficionados minds will be “Does the JR Pocket Pen have a converter to accept vinta ge Esterbrook nibs?” I spoke with Esterbook/Kenro and the answer is that the converter for the JR Pocket Pen is in production. Due to the pandemic, production and shipping was delayed but the company did not want to wait to release the pen just to wait for the vintage nib converter. It will be available soon and should be priced similarly to the converter that was available for the Estie. Follow-up question and answer, “No, the Estie vintage nib converter will not fit.”

Esterbrook JR Pocket Pen writing sample

As with previous Esterbrook pens, the nib worked flawlessly. These nibs are teaching me to appreciate medium nibs (words I NEVER thought would ever come out of my mouth). I matched my ink to the pen body using an older Pen BBS ink but only discovered after I photographed everything that the ink is not currently in production. (SORRY!)

I spent a lot of time with the new JR Pocket Pen sitting next to my extensive pile of vintage Esterbrook pens. I’ve been collecting them for many years and Esterbrook was how I got into fountain pens in the first place. So, much of what I looked for with the JR Pocket Pen surrounded how close it came to the original look-and-feel of the original designs. As I said earlier, there are both good and bad aspects to comparing a modern version of a vintage pen. I am simply outlining the differences so that anyone looking to purchase a JR Pocket Pen can make an informed purchase. Please take my next comments with this in mind.

The clip  is simple and straight, like the original and features the grooves, similar to the original Esterbrook. They are not as defined and do not include the Esterbrook lettering that was featured on the original J pens. The cap band on the JR is a wider, smooth band with the Esterbrook logo type etched into it rather than the ridged, thinner ring of the original bands. The JR Pocket Pen clip is also attached “invisibly” compared to the original J series which is connected to the pen via the silver cap under the jewel.

One of the most notable characteristics of the J series pens are the “jewels” on the ends of the pen, usually in black that are a two-step layer of dots. It moves the look of the pen away from a flat-end pen to a slightly cigar shape. Clearly, the JR Pocket Pen is missing this contrasting element.

The is the addition of a metal ring about two-thirds down the body of the pen. If the JR Pocket Pen was a piston-filler, this ring would make sense but it is not so the addition of the ring is curious and not in keeping with the aesthetic of the original J design. There may have been a cost/manufacturing necessity for this as it is right where the lower third of the pen starts to taper.

The grip section on the JR Pocket Pen is longer and more tapered than the original J Series pens.

Finally, the cap-to-body size is noticeably different. It’s one of the aspects that stood out most to me. There seems to be more bulk (too much material?) for the cap that makes the cap look too big for the pen. It’s a pen muffintop. (Okay, that was an opinion statement. And probably a little harsh but it’s the one thing that I get hung up on with this pen.)

Compared to Other Pens:

Esterbrook JR Pocket Pen compared to Estie and Camden

First, I wanted to compare the JR Pocket Pen to some of Esterbrook’s other releases. From left to right: the JR Pocket Pen, the Estie Lilac Slim size and the Camden Composition.

Esterbrook JR Pocket Pen compared to Estie and Camden

The same pens, uncapped. The JR Pocket Pen can be posted while the Camden and the Composition are not postable, at least I’ve found they are not easy to post.

Esterbrook JR Pocket Pen compared to modern fountain pens

Compared to other modern pens, from left to right: Pilot Decimo, Pelikan M600, TWSBI ECO, Pilot Metropolitan, Esterbrook JR Pocket Pen, Lamy AL-Star, Aurora Optima and Sailor Pro Gear Slim. The JR Pocket Pen is very comparable in size to a Pro Gear Slim.

Esterbrook JR Pocket Pen compared to modern fountain pens

When posted, the JR Pocket Pen is similar in length to the the Pelikan M600, Pilot Metrolitan and Aurora Optima.

Esterbrook JR Pocket Pen compared to vintage Esterbrooks

This is the size comparison everyone is waiting to see. The JR Pocket sitting amongst its historical brethren. From left to right: Lady’s Dollar Pen, pastel or CH pen, SJ, full-sized Dollar Pen, shorter Dollar Pen (not actually called an SJ at that point, but similar), the green and black are both Transitional (flat bottom), the JR Pocket Pen,  LJ, J,  and Deluxe. As you can see, the JR Pocket Pen is very similarly sized to the J and the LJ as the name would suggest.

The JR Pocket Pen measures 4.875″ (12.4 cm) closed, 6″ (15.2cm) posted and 4.625″ (11.8cm) unposted. It weighs approximately 20gms capped and 13 gms uncapped with a full converter. The J weighs approximately 15gms capped and 10gms uncapped.

The Esterbrook Pen Nook:

Esterbrook Pen Nook 3-Pen Case Packaging

Another item now available from Esterbrook is the navy leather Pen Nook. I received the Triple Pen Nook ($125) to review as well which was perfect to show off the Carmine Red JR Pocket Pen and it’s older cousins.

Esterbrook Pen Nook 3-Pen Case

The case is stitched with contrasting red thread and features the Esterbrook X (infinity) symbol on the magnetic closure.

Esterbrook Pen Nook 3-Pen Case

It’s a hard-sided case to protect your pens from getting tossled in transport from the office to home (when that becomes an issue again) or even in your desk drawer.

Esterbrook Pen Nook with pens

The case unfolds to reveal three divided compartments large enough to hold most fountain pens and elastics to keep the pens from unexpectedly escaping, even if the case gets turned over.

In the Esterbrook Pen Nook was the final stop for color comparison between the JR Pocket Pen and my two red vintage Esterbrooks: a Tempo Red Purse Pen and an SJ. The color of the Carmine Red is much closer to the warm Tempo Red than the more rich, striated wine red of the SJ.

Overall, I think the JR Pocket Pen is the fountain pen everyone had been hoping that the new Esterbrook would release. Are there elements of the design I wish were different? Of course. That said, this is a solid step forward into the world of retro pen design.

In fashion, retro is a term used often when clothes are made in the style of a previous time but in new material, sizes and with other modern considerations in mind. Those in the vintage community are of two minds about retro fashion: some love it because it create inclusivity (original vintage items are hard to find, often expensive, require special care and don’t always fit everyone’s needs) and others think they are an abomination (we’ve all heard these arguments in the pen community too. “Just buy a vintage pen. New stuff isn’t as good. They don’t make ’em like they used to… Yadda yadda yadda.”) I believe there is a place for both. I certainly don’t want sourpuss attitudes about either but I appreciate both sides. I want to continue to try to save and maintain vintage objects as long as we can but I also want to make the aesthetic available to wider audiences and if that is easier through retro creations, as long as they are done well and thoughtfully, I wholeheartedly support them.

Tools:


DISCLAIMER: The items included in this review were provided free of charge by Esterbrook for the purpose of review. Please see the About page for more details.